Overview
I am an interdisciplinary scholar and critical theorist of global Chinese literature, cultural history, and media. At the broadest level, I am drawn to historical periods when geopolitical, socio-economic, and technological developments appear to provide external vantage points from which to navigate the landscape of cultural production, while, in fact, being resolutely embedded in the latter. My teaching and research interests include critical theory and late nineteenth-century to contemporary Chinese and Southeast Asian studies.
My first book, The Stone and the Wireless: Mediating China, 1861-1906 (Duke UP, 2021) asks what media studies can gain conceptually from the last few decades of the Manchu Qing dynasty (1644-1912), and what this politicized and semicolonial phase of Chinese history looks like when reviewed from the new and mostly foreign communicative technologies of its time such as telegraphy, telephony, phonography, and photography. The Stone and the Wireless argues that when Chinese intellectuals, writers, and revolutionaries wrote and illustrated their encounters with these devices, they inadvertently challenged existing notions of politics, tradition, and science, and thus reconfigured new sites of ideological struggle.
I am currently working on my second book, tentatively titled Asia in Loops, a cultural history and critical theorization of how computational techniques aiding East and Southeast Asian capitalist accumulation feed on the region's larger geopolitical tensions to produce seemingly self-referential and self-regenerating loops to which culture and criticism risk capitulating. Topics for other concurrent projects include intersections of gender, media, and labor in literature and cinema; cybernetics and systems thinking in socialist, post-socialist, and decolonizing Asian states; video art and cinema; and Marxism. I am member of the Advisory Board for the Technicities book series, Edinburgh University Press, and serve on the main Editorial Board for Cultural Politics, Duke University Press; re:criticism, Pennsylvania State University Press; Power Currents: Asian Media in the World, University of Pittsburgh Press; and World Picture, University of Toronto Press. I am Book Review Editor (film/media studies/drama) for the journal, MCLC: Modern Chinese Literature and Culture.
Born in Taiwan, I grew up in Singapore where I obtained my B.A. and M.A. at the National University of Singapore. I then spent a decade in the U.S. where I earned my Ph.D. in Comparative Literature at the University of Southern California (2012) and had my first faculty position in the Departments of Comparative Literature and Asian Studies at Pennsylvania State University (2013-15). Prior to joining Cornell University, I was Associate Professor of Literature at Yale-NUS College and the National University of Singapore.
Publications
Monograph
The Stone and the Wireless: Mediating China, 1861-1906. June 2021, Duke University Press, part of the “Sign, Storage and Transmission” series
Articles
“The Farmer, the Influencer, and the Labors of Rural Self-Media," Comparative Literature Studies, Special Issue on “Redesigning Modernities,” 2023. Forthcoming July/August 2023.
“Big Earths of China: Remotely Sensing Xinjiang Along the Belt and Road.” Critical Inquiry, 49.1 (Autumn 2022): 77-101. Print and Online. https://www.journals.uchicago.edu/doi/10.1086/721173
“Pauses, Cuts, and Static Interference: The Media Forms of Merger and Separation in Malaysia and Singapore.” positions: asia critique, 28.4 (Nov 2020): 841-868. Print.
“Stone, Jade, Medium: A Neocybernetics New Story of the Stone (1905-1906).” Configurations: A Journal of Science, Literature, and Technology, 26.1 (Winter 2018): 1-26. Print.
“To Compare Otherwise: Dialectics and The Work of Comparison in Structural Totality.” Mediations: Journal of the Marxist Literary Group, 31. 1 (Fall 2017). Online. http://www.mediationsjournal.org/articles/compare-otherwise